{"id":996,"date":"2022-12-16T11:37:50","date_gmt":"2022-12-16T11:37:50","guid":{"rendered":"https:\/\/languagemuseum.ca\/?page_id=996"},"modified":"2023-11-09T17:17:35","modified_gmt":"2023-11-09T17:17:35","slug":"past-events","status":"publish","type":"page","link":"https:\/\/languagemuseum.ca\/fr\/about-us\/past-events\/","title":{"rendered":"\u00c9V\u00c9NEMENTS PASS\u00c9S"},"content":{"rendered":"
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Pr\u00e9sent\u00e9e au MCL <\/h2>\n\n\n\n
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Toronto Landscape Observatory<\/h3>\n\n\n\n

Created for the 2022 Toronto Biennial of Art, award-winning University of Toronto Professor Jane Wolff brought her interactive exhibit to the Museum.<\/p>\n\n\n\n

The Observatory seeks to develop and decolonize landscape observation through engaging visitors with the surrounding environment with a collection of tools and walks. <\/p>\n\n\n\n

Visitors were encouraged to contribute their own observations to the exhibit to build a new vocabulary of landscape.<\/p>\n\n\n\n

January 17 – April 13, 2023<\/p>\n\n\n\n

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Plur sur exposition<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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Pour le bien-\u00eatre de la rivi\u00e8re Credit<\/h3>\n\n\n\n

Created by York students in the Art et Peinture class at Glendon campus under the guidance of Professor Julie Ren\u00e9 de Cotret.<\/p>\n\n\n\n

Each student contributed a piece inspired by conservation efforts on the Credit River in southern Ontario.<\/p>\n\n\n\n

March 7 – April 13, 2023<\/p>\n\n\n\n

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TRANSFORM: Exploring Languages of Healing<\/h3>\n\n\n\n

TRANSFORM seeks to deconstruct what artist Alanna Kibbe calls “The Language of Healing.”<\/p>\n\n\n\n

A creative expression of breast cancer survival, living with chronic pain and long term injuries, and transformation through the spiritual navigation of chronic illness, this exhibition walks one through different versions of healing the artist has moved through to survive and rise towards thriving.<\/p>\n\n\n\n

Each of the pieces represents different versions of healing: The cocoon. Transformation. Rising through metaphorical death. Grief. Finding home within. Releasing the costume. Discovering flights of freedom. Re-becoming stardust.<\/p>\n\n\n\n

Exhibition attendees were invited to participate in an interactive activity representative of the interdependence and community care the artist identifies as core components to the healing languages communicated through the work. Throughout the exhibition, the artist will collect the interactive components completed by attendees, to weave them into the piece itself, thus having interactive participants become part of the work.<\/p>\n\n\n\n

23 mars - 28 avril 2022 ; la lancement a \u00e9t\u00e9 31 mars 2022<\/p>\n\n\n\n

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Regardez le lancement<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Spectres de coolies<\/em><\/h3>\n\n\n\n

Professor Amar Wahab addresses the silence on indentured labour systems in the colonial Caribbean.<\/p>\n\n\n\n

L'exposition s'articule autour de la question suivante : comment repenser de fa\u00e7on cr\u00e9ative les pr\u00e9sences et les voix \u00e9vocatrices des fant\u00f4mes dans les archives concernant les coolies ? Elle propose une \u00ab ethnographie d'archives \u00bb pour alimenter la r\u00e9flexion sur les coolies commes travailleurs en transit et sur l'(in)visibilit\u00e9 des pr\u00e9sences occult\u00e9es dans les documents officiels. Dans ce language visuel des mort, le \u00ab coolie \u00bb est une figure fantomale qui r\u00f4de dans l'histoire et \u00e0 ses marges, et dont la positionalit\u00e9 perturbatrice incarne un f\u00e9tichisme strat\u00e9gique des relations de pouvoir (post)coloniales.<\/p>\n\n\n\n

L'exposition r\u00e9unit des images et des installations pr\u00e9sent\u00e9es dans son livre Disciplining Coolies: An Archival Footprint of Trinidad, 1846<\/em> (2019). Le livre pr\u00e9sente une analyse des transcriptions d'une enqu\u00eate britannique sur la torture, la mis\u00e8re, et la mort de travailleurs indiens en servitude, appel\u00e8s \u00ab coolies \u00bb dans le langage coloniel officiel.<\/p>\n\n\n\n

L'exposition et le livre ont \u00e9t\u00e9 lanc\u00e9s au mus\u00e9e le 24 octobre.<\/p>\n\n\n\n

24 october 2019 - 25 novembre 2019<\/p>\n\n\n\n

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Regardez un extrait<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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gravit\u00e9\/\u00e9l\u00e9gance\/descente<\/h3>\n\n\n\n

gravit\u00e9\/\u00e9l\u00e9gance\/descente<\/em> est une m\u00e9ditation de la po\u00e9sie, du geste, et du mouvement. Th\u00e8mes de la gravit\u00e9, de la l\u00e9g\u00e8ret\u00e9, des saisons, des passages et du cycle du temps \u00e0 travers ce trio contemplatif.<\/p>\n\n\n\n

Un definition physique de 'la gravit\u00e9':
\u00ab force qui attire les corps vers la centre de la terre \u00bb .
C'est nous.<\/p>\n\n\n\n

\u00ab Tous les mouvements naturels de l'\u00e2me sont r\u00e9gis par des lois analogues \u00e0 celles de la pesanteur mat\u00e9rielle. La gr\u00e2ce seule fait exception. Deux forces regnant sur l'univers : lumi\u00e8re et pesanteur... \u00bb
-- Simone Weil, La Pesanteur et La Gr\u00e2ce<\/em><\/p>\n\n\n\n

La chor\u00e9graphe de renomm\u00e9e Carol Anderson, avec les c\u00e9l\u00e8bres danseuses Terrill Maguire et Claudia Moore, a present\u00e9e son \u0153uvre, qui combinent la mouvement et la parole.<\/p>\n\n\n\n

22 november 2018 et 3 octobre 2019<\/p>\n\n\n\n

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Regardez un extrait<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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Un soir avec...<\/h3>\n\n\n\n

Vladyana Krykova, illustratice prim\u00e9, a parl\u00e9 de son exp\u00e9rience avec les histoires inuites. Elle collabora avec ecrivain Michael Kusugak pour faire vivre ses histoires. Ella a aussi partag\u00e9 les histoires et les diapositives de ses visites au Nunvaut o\u00f9 elle a dirig\u00e9 des ateliers de faire livre pour les \u00e9ducateurs inuits.<\/p>\n\n\n\n

23 octobre 2018<\/p>\n\n\n\n

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Plus sur Vladyana Krykova<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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De la tradition au binaire<\/h3>\n\n\n\n

L'artiste ab\u00e9nakaise Carmen Hathaway pr\u00e9sente les peintures et les sculptures qui reflet un alliance entre les traditions et le num\u00e9rique, y compris les interpr\u00e9tations moderne de tissage traditionale.<\/p>\n\n\n\n

This exhibit is part of the “Indigenous Art as a Sign of Resilience and a Means for Reconciliation” project. The closing event featured Nadine St. Louis, Indigenous entrepreneur of Mi’kmaq and Acadian heritage. St. Louis is the founder and executive Director of Sacred Fire Production, which works to promote Indigenous art and artists, and to raise awareness, break stereotypes, and foster cross-cultural dialogue for the inclusion and advancement of Indigenous artists.<\/p>\n\n\n\n

9 - 26 janvier 2018<\/p>\n\n\n\n

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Plur sur exposition<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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Le meilleur monde imaginable<\/em><\/h3>\n\n\n\n

Une collection de sept histoires multilingues par les canadiens pour les canadiens.<\/p>\n\n\n\n

Les auteurs pour les enfants a lis\u00e9 dans leur langue maternelle, anglais, et fran\u00e7ais.<\/p>\n\n\n\n

20 fevrier 2016<\/p>\n\n\n\n

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Achetez livre<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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Tr\u00e9sor de terminologie de la glace et de la neige \u00e0 Terre-Neuve<\/h3>\n\n\n\n

L'exposition par Marlene Creates explore la relation entre la langue et le paysage naturel. En 2013, cette exposition a d'ailleurs gagn\u00e9 le BMW Exhibition Prize au Scotiabank CONTACT Photography Festival.<\/p>\n\n\n\n

Creates a publi\u00e9 un livre qui a adapt\u00e9 de son vid\u00e9o-po\u00e8me, De \u00ab Ground-Tier \u00bb \u00e0 \u00ab Sparrow-Batch \u00bb : tr\u00e9sor de terminologie de la glace et de la neige \u00e0 Terre-Neuve, rivi\u00e8re Blast Hole Pond, hiver 2012-2013<\/em> (2014). The first part of the book is a long poem in 40 parts, which proceeds chronologically through a winter, following the changes along the Blast Hole Pond River. The seasonal phenomena are recorded with over 50 named varieties of ice, snow, and winter weather. The second part documents sea ice in Conception Bay with many more terms.<\/p>\n\n\n\n

Exposition de photo et vid\u00e9o : 1 fevrier - 31 mars 2014<\/p>\n\n\n\n

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Plur sur exposition<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Presented at the CLM Toronto Landscape Observatory Created for the 2022 Toronto Biennial of Art, award-winning University of Toronto Professor Jane Wolff brought her interactive exhibit to the Museum. The Observatory seeks to develop and decolonize landscape observation through engaging visitors with the surrounding environment with a collection of tools and walks. Visitors were encouraged […]<\/p>","protected":false},"author":2,"featured_media":0,"parent":23,"menu_order":20,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/languagemuseum.ca\/fr\/wp-json\/wp\/v2\/pages\/996"}],"collection":[{"href":"https:\/\/languagemuseum.ca\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/languagemuseum.ca\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/languagemuseum.ca\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/languagemuseum.ca\/fr\/wp-json\/wp\/v2\/comments?post=996"}],"version-history":[{"count":48,"href":"https:\/\/languagemuseum.ca\/fr\/wp-json\/wp\/v2\/pages\/996\/revisions"}],"predecessor-version":[{"id":9960,"href":"https:\/\/languagemuseum.ca\/fr\/wp-json\/wp\/v2\/pages\/996\/revisions\/9960"}],"up":[{"embeddable":true,"href":"https:\/\/languagemuseum.ca\/fr\/wp-json\/wp\/v2\/pages\/23"}],"wp:attachment":[{"href":"https:\/\/languagemuseum.ca\/fr\/wp-json\/wp\/v2\/media?parent=996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}